Sarah Palmer

photographer/artist based in Brooklyn, NY
educator at Parsons School of Design
commissions for: The New Yorker, The New York Times (Magazine, Opinion, Styles, Arts), The Atlantic

News / Current Works

SELECTED EXHIBITIONS
Current & Recent
The Delirious Sun
Outs & Ins

SELECTD WORKS
Knotted Spiral
The Wind Is No House
Darklight
Days of the Future
The Startling Reality of Things
Book of the Living
Rose with Nails for Petals
As A Real House

VIDEO
The Broken Word (2020)

ARTIST BOOKS / PUBLICATIONS
In My Mouth, A Song (coming soon)
Book of the Living
Finger-Nails (Your Vaulting Arches) {puzzle}
Slipping Rose
The Sweets of Pillage
Bending the Bow
Sea Garden
Waves

SHOP
Books
Collage
Limited Editons

COMMISSIONS
Editorial

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© Sarah Palmer 2025
Solo exibition consisting of 15 float-framed dye-sublimation prints on aluminum, 4 small dye-sub works on wooden braces, and four large-scale vinyl wallpapers. Works in this exhibition were made between 2019 and 2023 and represent a long-term and interconnnected body of work, comprising smaller chapters or series within in, including The Startling Reality of Things (2019-20), Book of the Living (2020-21 ), Days of the Future (2021), The Wind is No House (2021-22), and Knotted Spiral (2023).


Serpentinas (shreds of broken music), 2023
Dye Sublimation Print on Aluminum
23 3/4 x 30 inches

atop vinyl wallpaper strip, 96” x 46”

Outs & Ins


(& concurrent solo presentation at NADA Miami)

Outs & Ins, Solo Exhibition at
Mrs. Gallery, Maspeth, NY

November 16, 2019 – January 18,  2020

Solo Presentation with Mrs. Gallery at
NADA Miami, Miami, FL
December 2019
These concurrent exhibitions presented works primarily from the series Rose with Nails for Petals (2018 - 2019) and Reaches of Salt (2019). The two exhibitions presented 29 new works, in addition to two custom non-patterened (single image) wallpapers. The majority of works were printed as dye-sublimation on aluminum, float framed (though some were presenteed on a shelf). Across the exhibitions there were also five pigmented inkjet prints on Habotai Silk, hung from the celining on chains.